Freedom, Justice, and Hope with Bryan Stevenson
Celebrate Black Excellence
•
1h 5m
In creative collaboration with social justice activist and Equal Justice Initiative founder Bryan Stevenson, Jazz at Lincoln Center presents Freedom, Justice, and Hope with Bryan Stevenson, a multi-disciplinary concert event performed by the Jazz at Lincoln Center Orchestra with Wynton Marsalis. In a series of moving and insightful monologues, Stevenson charts the course of the Black American experience and even joins the orchestra on piano. Featuring new works from emerging composers Endea Owens and Josh Evans.
PERSONNEL
Featuring Bryan Stevenson - words, piano
REEDS
Sherman Irby - alto saxophone
Ted Nash - alto saxophone
Victor Goines - tenor saxophone
Walter Blanding - tenor saxophone
Paul Nedzela - baritone saxophone
TRUMPETS
Ryan Kisor
Kenny Rampton
Marcus Printup
Wynton Marsalis
TROMBONES
Vincent Gardner
Chris Crenshaw
Elliot Mason
RHYTHM
Dan Nimmer - piano
Carlos Henriquez - bass
Obed Calvaire - drums
WITH
Josh Evans - trumpet
Endea Ownes - bass
Up Next in Celebrate Black Excellence
-
The Fantastic Mr. Jelly Lord
The Jazz at Lincoln Center Orchestra with Wynton Marsalis delivers a joyous celebration of New Orleans legend Jelly Roll Morton (1890–1941). Jazz's first great composer, musical intellect, and piano virtuoso, Morton gave us the musical blueprint of an eternal New Orleans and jazz as we know it to...
-
Black, Brown, and Beige and The Best ...
The Jazz at Lincoln Center Orchestra with Wynton Marsalis play essential big band music by Duke Ellington and Count Basie. The first set finds the JLCO swinging through a number of classic Basie standards, including "April in Paris," "Swinging the Blues," and "Jumpin' at the Woodside." The second...
-
Lush Life: Celebrating Billy Strayhorn
Legend has it that Billy Strayhorn (1915-1967) wrote the American songbook icon, “Lush Life,” at the tender age of 16. Though this early date has been disputed by some scholars, what isn’t in question is that Duke Ellington's first recordings of Strayhorn’s work were published when Strayhorn was ...